History research

In researching the feeling of being deaf I have also dipped into some of the history of deaf culture. Most of what I came across focused on the deaf culture in America however I came across a book entitled ‘ A Tower of strength’ by Patrick Beaver which is actually a history about The Royal School for Deaf Children Margate, the same school my Mother and Aunt attended. The first school that was founded was actually called the Asylum for the Deaf and Dumb prior to this many deaf were sent to workhouses or mental hospitals, they were regarded as ‘backwards’.

Aristotle is quoted as saying ‘Men that are born deaf are in all cases dumb; that is to say, they can make vocal noises but they cannot speak…all become senseless and incapable of reason’

Early Roman law allowed that infants born deaf could be thrown into rivers or otherwise disposed of, they were considered to be undeserving of life. Deafness was considered to be an affliction from God and they were incapable of faith as faith relied on hearing the word of God.

It wasnt until the 15th Century that this idea started to change, and by the 17th century more scholars become involved.

In 1670 George Sibscota wrote in The Deaf and Dumb Mans Discourse ‘They are capable of reason and can gain knowledge by sight, can write, converse by signs, lip read and speak’

Charles Michel Abbe de L’Epee founded the first free school for the Deaf in Paris in 1779, it wasnt until 1792 that the Asylum for Deaf Children opened in London, which later became The Royal School for Deaf Children.

I consider those attending the Royal School for Deaf Children lucky as they were taught with a combined method which used Signing, lip-reading and speech, In America many of the Deaf were banned from using sign and were only allowed to express themselves orally with speech which for many was virtually impossible. They were not encouraged to develop their own language and this did not change or come to public knowledge until the 1960’s – 1970’s when the play Children of a Lesser God by Mark Medoff (Later a film) drew attention to it.

Speaking to my mother she claims to have always used sign at school although it is strange to look at her school reports which also reference the strength / quality of the students ‘voice’ so they did continue the combined method.

In acquiring the book ‘ A Tower of Strength’ I also come across a photo of an outdoor sewing class in Goring-on-Thames , in this photo I spotted my Aunt. My Aunt is no longer with us but it was lovely that my Mother could see this and reminisce as well as sharing it with my cousin.

 

Being deaf

I have been researching how it ‘feels’ to be deaf, I have used two techniques to try to achieve this.

Firstly I have sat indoors with noise cancelling headphones on and watched the television with subtitles:

This gave me headaches as I heard the constant whoosh of my blood and felt my pulse beating in between my ears. My mother has always said that her deafness is not silent and that she hears noises but she cannot describe them , perhaps this is it. Watching subtitles is another headache as I felt my eyes continually flicking between the words and the image. I could not follow the story with just one and not the other. It was exhausting!

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Secondly I have ventured outside with ‘in ear’ defenders that reduce my hearing to the point of very hard of hearing:

This left me feeling vulnerable, it also gave me more headaches as I felt a constant pressure in my head. I could feel every step I took and the vibration of my body walking, crossing the road, a simple task I presumed, just stop and wait for the green man but I still need to look to feel safe to cross. Without a green man it becomes more troublesome as I cannot hear any oncoming cars, I rely on my eyes to do all of the work, I could pick up the sound of a siren albeit extremely muted but I could not place its direction. Wandering around the shops I would get knocked as someone bustled past, I imagine they may have apologised but I wouldn’t know, all I knew was that it made me jump. I could hear muffled sounds as people spoke which made me frown as I tried to work out what they were saying. I felt excluded from the world! I usually like my own company but in this experiment I felt that was all I had. It was difficult to concentrate, even on typing words into my phone was taking more time than usual, I think my brain was too busy trying to adjust and fill in blanks. I took far too many nurofen on this day, the pressure I felt was immense, it felt like I was holding my breath but I knew I wasn’t.

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These experiments have left me wondering how I can possibly show the ‘feeling’ of deafness in an image? My mind is now blank…

 

Julie Cockburn

I had missed seeing Julie Cockburn’s work earlier in the year at The Photographers Gallery so I was pleased to catch her last day showing at The Flowers Gallery in London.
It was a small collection of works which I found intriguing, I believe that when it was shown at the Photographers Gallery her work was paired with items from a Google Image search, this was not the case here. It was a shame as I was quite interested by this google reverse search idea, there was however one item which seemed out of place so I presumed this to be one of the objects.

Julie Cockburn’s work focuses on found photographs and used embroidery, embellishment, cutting and reconfiguring to bring new meaning to them. This changes the mass produced portrait images into something individual and hand crafted yet in truth although images are mass produced they are all unique in that the sitter, the photographer and the image are taken singular, it is the re-printing of images that is mass produced.
I didn’t feel very ‘informed’ by the exhibition but I did however feel very inspired. It has given me some ideas surrounding my ‘deafness’ project and whether I can embroider the ears or mouths to somehow portray the lack of sounds…lots to ponder. I have also consider marking the printed image to also show this and to add texture? I think some experiments are required. I do have some found photographs somewhere that I could begin to experiment with.

http://www.juliecockburn.com/

Julie Cockburn, Babble, 2011

 

Deaf photographers

I started to look for Deaf photographers with the thought that at least one of them may have previously tried to show their deafness in images. I found various deaf photographers but I have not yet found one that has tried to portray their deafness.

Being Deaf is strange in that the deaf community does not see it as an affliction or a disability, it is simply life, they do not consider it along the sane lines as blindness. They is my own personal knowledge from the deaf people I have known.  Therefore would a deaf photographer try to show their world?

Maggie Lee Sayre

Maggie and her sister were both born deaf in the 1920’s and lived on a houseboat in Kentucky. Originally it was Maggie’s sister that owned a camera but when she died it was passed to Maggie and she recorded life on a riverboat. Her photos were not discovered until she was living in a nursing home in the 1980’s

Dalit Avnon

Dalit was born in Jerusalem , in an article in The Times of Israel By Rebecca McKinsey
(March 26, 2014) she is quoted as saying

“Deaf photographers tend to use their vision to make up for the loss of their hearing,” she said. “They are accurate and they look at things deeply. They give attention to little details that others may tend to overlook. This is a result of the fact that deaf people use their eyes not just to see, but also to listen. This grants them a special perspective in the visual arts.”

Michael Pimentel

Pimental is a self-taught sports photographer. In fact many deaf photographers that I am coming across are self taught most likely due to limited educational facilities/ concessions available. in 2004 he was the first Deaf photographer to ever cover the Olympics. He started out by selling his Stars Wars collection to fund the purchase of his first digital camera, He shot small-scale events such as high school and little league before moving on to large-scale events including earthquakes and Olympics.

Tate Tullier

http://www.tatetullier.com/

Tullier started out as a teen photographing the Louisiana landscape. After graduating he started his own photography business in New York but later returned to Louisiana. After Hurricane Katrina he took photographs for a fundraising cookbook. The images on his website are mostly portraits, interestingly one of the models used is also Deaf, his main body of work is ‘Tub Time with Tate’ a collection of images of people in a bath tub, in an article for The daily Revielle he says

“I grew up in a bathtub,” Tullier said. “[I’ve] always loved the idea of bathtubs: You sit down, you escape your problems, you can let go and just think about everything. [I’ve] always loved bathtubs in photography too. It’s so sexy. Even when it’s not intended to be.”

The bath was his meditative escape from the world, which is something my mum loves to do, sit and soak!

Michael Cook

https://www.jamesephotography.com/

Michael is a Deaf photographer who turned to the camera because most of his friends were living away and he needed something to do. His focus is on wildlife photography and in fact he has an exhibition in Newbury which will run from the end of October 2017 to Christmas 2017. In an interview for ‘Hearing like me’ written by Kirsten Brackett (August 2, 2017) Michael states

 “From being excluded from social events and not being able to do certain jobs that I wanted to do –  such as being in the police force as a police officer – this did not help my self-confidence or self-respect,” .

Emma Amsden

http://www.emmaamsdenphotography.co.uk/section532747.html

Emma was born profoundly deaf and whilst many of her images focus on the landscape of the Yorkshire Dales and Isle of Skye she does attempt to use this to convey her feelings of isolation. Her emphasis is on texture and contrast using her strong visual sense to capture images.

Lalita Gurung

Lalita is a student of the University of East London who graduated this year, her final show depicted the plight of widows in her native Nepal. on the UEL’s website she is quoted as saying

“Being deaf has made me more visual,” she says. “It’s made me more aware of colour, emotions, materials, facial expressions, touch and smell.”

Kate Disher-Quill

Kate is the closest I have found to a photographer attempting to capture deafness or more importantly the feelings of deafness. Kate was born with mild hearing loss which has progressed to moderate hearing loss. Her experiences are slightly different from someone who was profoundly deaf at birth as it appears more fraught with frustrations. In 2014 she started a project entitled Right Hear, Right Now, a photography and multimedia project which explores the experiences of deafness and hearing loss.

http://www.righthearrightnow.com/

 

 

 

 

 

 

 

 

 

 

 

Assignment 2 – Research

Apart from my own knowledge of deafness growing up with a profoundly deaf mother I have been searching for books / articles on deafness as well as deaf photographers. I am hoping that I van gain an insight into the ‘feeling’ of deafness and in turn how I can portray it.

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I have also been watching some TV with ear defenders on and subtitles, much to the annoyance of my husband. Apparently he can’t ‘hear’ the TV with the subtitles on despite it being on full volume. The text is distracting him so I have saved this experiment for when he is out. I have also acquired some ‘In-ear’ defenders which I can wear out and about for the day, these do not cancel out the noise so much but would at least render me ‘hard of hearing’.

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Whilst wearing the ear defenders I have noticed that deafness is indeed not silent, I can hear my heartbeat and the whooshing of my blood. Some programs I can follow with ease however programs such as ‘The Apprentice’ are really difficult to understand as the scenes jump around and context is lost. I can follow it only because I usually watch it and I understand the style of the program. I can appreciate now why there are some programs which my mum really dislikes and cannot understand. I find that in following the text I am missing out on watching the expressions of the actors and the actual program itself, my eyes are continually flicking between the two, its hard work!

 

Photographing deafness

I am trying to consider how I can show deafness in an image, I have had a variety of thoughts which I would like to explore. I may decide that none of then work but I want to experiment as much as possible as I ant to ideally show hoe deafness FEELS rather than the obvious views of deafness. I will however capture some of these obvious views as they may provide a bridge between images. I will keep adding more ideas as they come to me but these are my initial thoughts:

OBVIOUS:

Hearing aid (Although my mum doesn’t have one)

Subtitles on a TV in the background

Hearing loop signs in a store

The Green man at the traffic lights

Signing

The written note

Hands (Soooo important)

A BIT LESS OBVIOUS PERHAPS

Flashing lights for the doorbell (Not sure how I can capture this)

Face time (My mums only method to call me)

Lips ( Thinking of using slow shutter speed to blur the lips as she often struggles to make things out)

Maybe using an effect to blur the ears?

A hand on my voice box ( This is the only way she could ‘hear’ my voice)

Using embroidery similar to Julie Cockburn to blot out the ears or direct the viewer to the mouth (Apt as the deaf initially were taught household skills such as sewing and needlework rather than core educational subjects)

The use of sounds like tinnitus or white noise.

The sound of my mum’s ‘voice’ or us signing.

The isolation next to the community

Dog as her companion

written note showing her Pidgeon English (Due to no linking words in sign)

Vibrations (How sound can be felt)